Summary
Věra Chytilová made her professional film debut with this 1962 fictional documentary set in the women’s boarding house of a textile factory, and told through the eyes of new apprentice Eva Gálová. The soft-spoken Moravian gradually gets to know her flatmates. She forms the closest relationship with Jana, who has discipline problems, and eventually receives a one-month ultimatum from the works council to improve her conduct. As part of the film’s experimental narrative structure, Eva remains invisible to the viewer – she does not step before the camera, and does not communicate with the protagonists of the story; but she does comment on events via internal monologues (this “invisible” figure was dubbed by Helga Čočková). The original, socially relevant story utilises a subjective cinéma vérité style courtesy of lighting cameraman Jaromír Šofra, coupled with an edgy, unsentimental, modernist script from writer-director Chytilová. The film won the main prize at the 4th Days of Short Films festival at Karlovy Vary. It was shown in cinemas along with Strop (The Ceiling, 1962), Chytilová's Prague FAMU film academy graduation film; the films went under the joint title of U stropu je pytel blech (There’s a Bag of Fleas by the Ceiling).
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