Summary
In 1969, actor Pavel Landovský performed one of the most distinctive roles of his career courtesy of this tragicomedy from director František Filip. Tonda Boháček is a thirty-something bachelor living in the countryside, whose mother decides to help him find love via a personal wanted ad. Landovský, aged 33 at the time, had hitherto only appeared in supporting, and often intensely stylised, roles in a number of Czechoslovak New Wave titles. Consequently, the part of the unhappy Tonda offered him the chance to make the most of a fully-fledged leading role. This outwardly simple tale serves as a genial example of the civility of yesteryear – both Filip (predominantly a TV director) and debuting screenwriter Eduard Verner stood outside the New Wave efforts of contemporaries such as Věra Chytilová, Jiří Menzel and Miloš Forman. The embarrassing situations into which Boháčková drags her son, are developed on screen with care, innocence and without the kind of sarcasm spewing from the social critiques of the New Wave cinema. Consequently, as the breezy, fierce Prague hitchhiker Květa is swapped in the bachelor’s affections for naive villager Janička – whom Tonda dates under the watchful and hopeful eye of his mother – the situations are never mined for the sake of caustic or cynical humour. Indeed the very concept here is decidedly awkward – a doting mother pushing her reluctant son into finding a partner. All of Tonda's contemporaries are already married, which mother Boháčková views as something that needs to be urgently – and forcefully – addressed. To his surprise, Tonda, who tries his best to accede to his mother’s wishes, falls for Květa, who at first only views the entire entanglement as a non-committal game. For 1960s relationship comedies, disillusionment for the lead character was a commonplace feature, serving as a kind of individualist victory over expectations about leading a “proper life”, as seen, for example in Miloš Forman’s Lásky jedné plavovlásky (Loves of a Blonde, 1965). Playing the lead character’s mother is Stella Zázvorková (noticeably too young for the role) and actresses Regina Rázlová (Květa) and Jorga Kotrbová (Janička).
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